tag:blogger.com,1999:blog-78029908743962719612024-03-04T20:07:17.125-08:00電影現場之旅奇夫http://www.blogger.com/profile/13850994416151953659noreply@blogger.comBlogger4125tag:blogger.com,1999:blog-7802990874396271961.post-30775408180934183492010-03-28T20:22:00.000-07:002010-03-28T20:42:25.734-07:00夜讀孫中山先生1923年港大演講稿<span>星期六那天跟大伙人走到荷李活道92-94號對面,談談《中國日報》的軼</span><span>事, 順帶提到可以藉著遊歷太平山一帶先生負笈之地,走訪當中的學校、教堂等文教之地,從而瞭解香港如何在</span>西方民主、科學、以至宗教倫理各方面影響孫先生的思想,直接間接引致辛亥革命的誕生。<br /><br /><div><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.lib.hku.hk/syshk/limages/A4e1.jpg"><img style="cursor: pointer; width: 425px; height: 303px;" src="http://www.lib.hku.hk/syshk/limages/A4e1.jpg" alt="" border="0" /></a><br /><span><br />回到家中,意猶未盡,重溫先生於1923年在港大的講辭,一看之下</span><wbr>,果然沒有記錯,國父如是說“Where did I get my revolutionary ideas? <b>It is entirely in Hong Kong</b>."<br /><br /><span> 可是更教人神傷的是,國父回憶初抵香港所面對的cult</span><wbr>ure shock時,跟家鄉香山所作的比較,即便活在廿一世紀當中的香港人,那種感覺竟然還是似曾所識。"Where and how did I get my revolutionary and modern ideas? I got my idea in this very place; in the Colony of Hong Kong. I am going to tell you how I got these ideas. More than thirty years ago (即1883-1892年左右) I was studying in Hong Kong and spent a great deal of spare time in walking the streets of the Colony (就像大家星期六那走在必列者士街、荷李活道一樣). Hong Kong impressed me a great deal, because there was orderly calm and because there was artistic work being done without interruption. I went to my home in Heungshan twice a year and immediately noticed the great difference. <b>There was disorder instead of order, insecurity instead of security.</b><br /><br />以下一段講及貪污的情況,更是可悲。歲月已經溜走百多年,情況不但未要改善,似乎還變本加厲。"among the government officials (指香港的官員) <b>corruption was the exception and purity the rule</b>. <span style="font-weight: bold;">It was quite the contrary in China, where corruption among officials was the rule</span>. I thought the Provisional Government would be better and went to Canton. I found that the higher the government the more corrupt it was. Finally I went to Peking, but I found things there one hundred times more corrupt and rotten than areas in Canton, and I was forced to the opinion that, after all, village government was the purest government in China.<br /><br /><span> 讀完以後,還是想起國父遺訓:「革命尚未成功,同志仍須</span><wbr>努力」。<br /><br />伸延閱讀:<br />Sun Yat-sen’s Address at the University of Hong Kong “<a href="http://www.hku.hk/convocat/newsletter/03Autumn/P4-11.pdf">Why I Became a Revolutionist</a>”<br />~ Extract from The Hongkong Daily Press, February 20, 1923 ~ (in PDF Format)<br /></div>奇夫http://www.blogger.com/profile/13850994416151953659noreply@blogger.com0tag:blogger.com,1999:blog-7802990874396271961.post-48013786358687810472010-03-16T21:03:00.000-07:002010-03-17T01:33:34.193-07:00真正的深水埗可有人忽然關心?<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAUVrCQTlPhjNcMp-WilNe1aivU93hxYiitCO0Wv6k1JpKw556dRCVLoNr919QFLGMOng6q7_vP9D7eAfAUnAF70f_K17PEDDm-TRNYzaWZeZvmLJTqtOH3HMrwJzMo-OpvvVAzp227SiL/s1600-h/wanchai_pawn.JPG"><img style="cursor: pointer; width: 320px; height: 214px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAUVrCQTlPhjNcMp-WilNe1aivU93hxYiitCO0Wv6k1JpKw556dRCVLoNr919QFLGMOng6q7_vP9D7eAfAUnAF70f_K17PEDDm-TRNYzaWZeZvmLJTqtOH3HMrwJzMo-OpvvVAzp227SiL/s320/wanchai_pawn.JPG" alt="" id="BLOGGER_PHOTO_ID_5449515565326003730" border="0" /></a><br /><br /><xml> <w:latentstyles deflockedstate="false" latentstylecount="156"> </w:latentstyles> </xml><!--[endif]--><!--[if !mso]><object classid="clsid:38481807-CA0E-42D2-BF39-B33AF135CC4D" id="ieooui"></object> <style> st1\:*{behavior:url(#ieooui) } </style> <![endif]--><style> <!-- /* Font Definitions */ @font-face {font-family:PMingLiU; panose-1:2 2 3 0 0 0 0 0 0 0; mso-font-alt:新細明體; mso-font-charset:136; mso-generic-font-family:roman; mso-font-pitch:variable; mso-font-signature:3 137232384 22 0 1048577 0;} @font-face {font-family:"\@PMingLiU"; panose-1:2 2 3 0 0 0 0 0 0 0; mso-font-charset:136; mso-generic-font-family:roman; mso-font-pitch:variable; mso-font-signature:3 137232384 22 0 1048577 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:""; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-fareast-font-family:PMingLiU;} a:link, span.MsoHyperlink {color:blue; text-decoration:underline; text-underline:single;} a:visited, span.MsoHyperlinkFollowed {color:purple; text-decoration:underline; text-underline:single;} @page Section1 {size:8.5in 11.0in; margin:1.0in 1.25in 1.0in 1.25in; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;} div.Section1 {page:Section1;} --> </style><!--[if gte mso 10]> <style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:表格內文; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman"; mso-fareast-font-family:"Times New Roman"; mso-ansi-language:#0400; mso-fareast-language:#0400; mso-bidi-language:#0400;} </style> <![endif]--> <p class="MsoNormal"><o:p></o:p><span lang="ZH-TW" style="font-family:PMingLiU;">本來永利街唐樓群得以保留是值得高興的,然而要是街道從此變成「錦繡中華」或灣仔「和昌大押」式的「膠化」景點,從此被矯揉飾情的</span>fabricated memory<span lang="ZH-TW" style="font-family:PMingLiU;">強加身上,從此成為擁有金像導演、影后、影帝背書的公關</span>spin<span lang="ZH-TW" style="font-family:PMingLiU;">案例,那便真的是嗚呼哀哉!因為一些自我陶醉自我滿足、漠視大環境紛亂只顧小宇宙浪漫的影像,使大眾忽視了永利</span><span lang="ZH-TW" style="font-family:PMingLiU;">街位處太平山區文教重鎮</span>(<span lang="ZH-TW" style="font-family:PMingLiU;">文武廟、青年會、公理堂、舊中央書院等以至開埠早年附近報館林立</span>)<span lang="ZH-TW" style="font-family:PMingLiU;">邊陲而印刷事業興旺的史實,忽略了該區自一個半世紀前</span>(<span lang="ZH-TW" style="font-family:PMingLiU;">即</span>1850<span lang="ZH-TW" style="font-family:PMingLiU;">年代</span>)<span lang="ZH-TW" style="font-family:PMingLiU;">開始已存在的街道、人文、社區關係和歷史脈絡,忘卻審視士丹頓街和必列者</span><span lang="ZH-TW" style="font-family:PMingLiU;">士街貫連太平山和中環的中樞關係,或是縱走樓梯街、城隍街連繫堅道至皇后大道中所帶來的空間和時間壓縮,無視</span><a href="http://hk.apple.nextmedia.com/template/apple_sub/art_main.php?iss_id=20100227&sec_id=12187389&subsec=12187389&art_id=13767191"><span lang="ZH-TW" style="font-family:PMingLiU;">港九兩地的地理、人口、社區構成的差異</span></a><span lang="ZH-TW" style="font-family:PMingLiU;">,換來片面的</span>1960<span lang="ZH-TW" style="font-family:PMingLiU;">年代虛構記憶,這樣子的保育實在使人痛心疾首。</span></p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><span lang="ZH-TW" style="font-family:PMingLiU;"><br /></span></p><p class="MsoNormal"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFo2l8ApWkmLHw08KqzTJ51SzrK1UISSe_TeYSwWAxaHBbZgaXe7vBIINygNtO9Ye9tD2Tmd0kugBQbzTw4f6G0InmyjLnmwvTJF2eNVcuVZXq-QxNee4JHdkEy2-VAvWOn3dU2R6JDkTI/s1600-h/winglee_logo.JPG"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 125px; height: 179px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFo2l8ApWkmLHw08KqzTJ51SzrK1UISSe_TeYSwWAxaHBbZgaXe7vBIINygNtO9Ye9tD2Tmd0kugBQbzTw4f6G0InmyjLnmwvTJF2eNVcuVZXq-QxNee4JHdkEy2-VAvWOn3dU2R6JDkTI/s320/winglee_logo.JPG" alt="" id="BLOGGER_PHOTO_ID_5449513758522029970" border="0" /></a><span lang="ZH-TW" style="font-family:PMingLiU;">本來已不想再評論《歲》片太多,可是看到戲中那些所謂「艱苦」歲月,實情又真的有多艱苦?戲中羅家一家四口好像很窮的樣子,但再窮也可以先後把兩兄弟送入名校,再窮也有錢可以「派片」送禮疏通一番。試問那年頭又有那個家可以這麼幸運地一家四口還有一個下舖上居的小天地呢?那年頭,普通人家閒閒地都一家六、七、八口,邊有咁多錢俾子女讀書。通常是長子、長女有些資資可以讀到小學,就算有幸可以參與「小學會考」,要不就是無錢交第一期學費而讀不上去,要不就是要中途輟學出來工作以照顧弟妹。這樣的故事,就是</span>immediate families<span lang="ZH-TW" style="font-family:PMingLiU;">已經隨手找來幾個</span>cases<span lang="ZH-TW" style="font-family:PMingLiU;">,更不消說親戚朋友的遭遇。要是真的要數下去,恐怕也只會越來越嘮叨,也就不說罷了。</span></p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><span lang="ZH-TW" style="font-family:PMingLiU;"><br /></span></p><p class="MsoNormal"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRIJzX-Bm7ed7ELecoFlPxY41W78dAeGK81GBSV_09TmIGhcu6CUoNAtG71XiH7dzQhS8hu8PbKImmYLxUjKtOpjaefHPyBWPTz5F76ITC0sNWJZW5vPZN-BOC27aE2xh69mbEttXmvnbF/s1600-h/na1_mod.jpg"><img style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 192px; height: 281px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRIJzX-Bm7ed7ELecoFlPxY41W78dAeGK81GBSV_09TmIGhcu6CUoNAtG71XiH7dzQhS8hu8PbKImmYLxUjKtOpjaefHPyBWPTz5F76ITC0sNWJZW5vPZN-BOC27aE2xh69mbEttXmvnbF/s320/na1_mod.jpg" alt="" id="BLOGGER_PHOTO_ID_5449514461202846786" border="0" /></a><span lang="ZH-TW" style="font-family:PMingLiU;">其實真正叫人氣結的是,《歲》片以深水埗作故事背景,可是隨了那座</span>CG<span lang="ZH-TW" style="font-family:PMingLiU;">嘉頓以外,</span><span lang="ZH-TW" style="font-family:PMingLiU;">就連半點九龍區的市井氣息也聞不到。工廠林立、流鶯苦力之類的寫照連側影都不見。好了,如今電影在柏林拿了個小獎,在中環拍了幾個月景,就把深水埗的根忘得一乾二淨。就在</span><a href="http://www.inmediahk.net/taxonomy/term/505054"><span lang="ZH-TW" style="font-family:PMingLiU;">深水埗順寧道</span></a><span lang="ZH-TW" style="font-family:PMingLiU;">那邊,同樣是一排唐樓,生活環境更差,</span><a href="http://www.inmediahk.net/node/1005474"><span lang="ZH-TW" style="font-family:PMingLiU;">當中的居民更貧困</span></a><span lang="ZH-TW" style="font-family:PMingLiU;">,同樣</span><a href="http://www.inmediahk.net/node/1004777"><span lang="ZH-TW" style="font-family:PMingLiU;">面對市建局的壓迫</span></a><span lang="ZH-TW" style="font-family:PMingLiU;">,處境更無助,可是主流傳媒沒有關注,口口聲聲話自己在深水埗長大的又連「眼尾都唔稍一下」,這樣子永利街得以保存下來又有什麼意思呢?同樣在深水埗,</span><a href="http://www.ura.org.hk/html/c800000t27e.html"><span lang="ZH-TW" style="font-family:PMingLiU;">醫局街桂林街項目</span></a><span lang="ZH-TW" style="font-family:PMingLiU;">又是在無聲無息地收樓、拆卸、招標而上馬了,一代儒學大師錢穆一手創辦的新亞書院故址,早幾年還好端端矗立在桂林街之上。「手空空,無一物,路遙遙,無止境」的校歌隔個星期便得唱一篇,</span><span lang="ZH-TW" style="font-family:PMingLiU;">面對重建卻是<a href="http://www.inmediahk.net/node/161095">無能為力</a>,結果還是人去樓去,剩下的就只是一塊紀念牌匾或是</span><a href="http://www.naalumni.org/index.php?option=com_content&task=view&id=52&Itemid=2"><span lang="ZH-TW" style="font-family:PMingLiU;">一個小小的公園</span></a><span lang="ZH-TW" style="font-family:PMingLiU;">而已。試問一個柏林影展的靠觀眾投票而得來的獎,其意義怎會比得上保留一班南來文人在風雨飄搖的日子在香港撐起重振中華文化旗幟、</span><a href="http://big5.china.com.cn/book/zhuanti/qianmu/2009-04/07/content_17565395.htm"><span lang="ZH-TW" style="font-family:PMingLiU;">上承北大</span></a><span lang="ZH-TW" style="font-family:PMingLiU;">下啟中大的地標呢?當看到人家千里迢迢來到香港</span><a href="http://gcsrc.blog.sohu.com/108642726.html"><span lang="ZH-TW" style="font-family:PMingLiU;">對新亞先哲的遺跡多麼的珍而重之</span></a><span lang="ZH-TW" style="font-family:PMingLiU;">,就知道這是無論再長菲林、再多獎項也換不來的珍貴文化遺產。當看到人家台北市政府在龍應台的指揮下,把錢老先生故居「</span><a href="http://www.chinareviewnews.com/doc/1012/0/5/7/101205732.html?coluid=93&kindid=2778&docid=101205732&mdate=0218004612"><span lang="ZH-TW" style="font-family:PMingLiU;">素書樓</span></a><span lang="ZH-TW" style="font-family:PMingLiU;">」修復得井井有條,人文氣氛濃厚,能不使我們汗顏嗎?不過,當年</span><a href="http://hk.apple.nextmedia.com/template/apple/art_main.php?iss_id=20090920&sec_id=4104&subsec=11867&art_id=13228621"><span lang="ZH-TW" style="font-family:PMingLiU;">新亞先哲所要對抗的</span></a><span lang="ZH-TW" style="font-family:PMingLiU;">,正正是今天的主子,下面這班自顧仕途安穩的小吏又豈敢犯諱復兼對庫房作對呢?</span></p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><span lang="ZH-TW" style="font-family:PMingLiU;"><br /></span></p><p class="MsoNormal"><span lang="ZH-TW" style="font-family:PMingLiU;">於是,真正需要幫助的小市民又要以螳臂擋車,妄圖可以抵擋市區重建的魔爪;真正值得保存的文化歷史地標就此煙消雲散。剩下來的就只是點綴在龐然巨宅後面的一條短街、幾幢舊樓,</span>totally out of place,totally out of context<span lang="ZH-TW" style="font-family:PMingLiU;">。</span><st1:place st="on">Asia</st1:place>’s World City<span lang="ZH-TW" style="font-family:PMingLiU;">果然是一個叫人嘆為觀止的地方。</span></p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><span lang="ZH-TW" style="font-family:PMingLiU;"><br /></span></p><p class="MsoNormal"><span lang="ZH-TW" style="font-family:PMingLiU;"><span style="font-weight: bold;">伸延閱讀</span>:</span></p> <p class="MsoNormal"><a href="http://www.guxiang.com/lishi/others/youzong/200703/200703230016.htm"><span lang="ZH-TW" style="font-family:PMingLiU;">钱穆的中国</span> - <span lang="ZH-TW" style="font-family:PMingLiU;">许知远</span></a></p> <p class="MsoNormal"><a href="http://big5.cctv.com/history/special/C13282/20041217/101858.shtml"><span lang="ZH-TW" style="font-family:PMingLiU;">李敖:拜訪錢穆</span></a></p> <p class="MsoNormal"><a href="http://cnier.ac.cn/wzb/jsyd/7449.html">“<span lang="ZH-TW" style="font-family:PMingLiU;">最后一位读书人</span>”——<span lang="ZH-TW" style="font-family:PMingLiU;">钱穆</span></a></p> <p class="MsoNormal"><a href="http://gcsrc.blog.sohu.com/108631108.html"><span lang="ZH-TW" style="font-family:PMingLiU;">香港文化之旅(</span>4<span lang="ZH-TW" style="font-family:PMingLiU;">):新亚书院之桂林街</span></a></p>奇夫http://www.blogger.com/profile/13850994416151953659noreply@blogger.com1tag:blogger.com,1999:blog-7802990874396271961.post-46597148545918927492010-03-16T20:22:00.000-07:002010-03-16T20:56:31.843-07:00永利街內外的老城歲月<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBZIsFHUPZQ0Iqunz2Jqqiio01cmGyazm18AW6FMjOulFNq-PY0DAZBcYbLajLa0vacE-nv8DM21l0738UO8u5D6C3tEa6Aa0OZh4sCAtbZt56FW_MBrkrJUj7Wu9te9aqBExRElAqCZEI/s1600-h/winglee0.JPG"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 208px; height: 272px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBZIsFHUPZQ0Iqunz2Jqqiio01cmGyazm18AW6FMjOulFNq-PY0DAZBcYbLajLa0vacE-nv8DM21l0738UO8u5D6C3tEa6Aa0OZh4sCAtbZt56FW_MBrkrJUj7Wu9te9aqBExRElAqCZEI/s320/winglee0.JPG" alt="" id="BLOGGER_PHOTO_ID_5449438620606186642" border="0" /></a><span lang="ZH-TW" style="font-family:PMingLiU;">短短的永利街,歷史不算特別悠久,向來默默無聞。一齣《歲月神偷》,一個柏林影展獎項,就使這街斐聲國際,每逢周末總是擠滿「拍友」競拍沙龍。要是乘興而來,碰上人山人海,目下俱是高樓華廈,許或敗興而返。其實遊覽永利街,當不止一條街、一齣戲。永利街四鄰縱有城隍街、樓梯街等,橫有荷李活道、歌賦街,堪稱維多利亞城文教重鎮,既是孫中山先生負笈之地,復見魯迅先生留下聲聲諍言。近二三十載,太平山區人流稀疏,適逢港產片蓬勃,當中里弄成為取景熱點,一時星光熠熠,漫遊其中自是目不暇及。</span> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpWEYScWvR_FPTweLHi3UYWnlhKAkfoSCQm5JiavpDMEn2cpqijC1qhQlYaca5S8iccWP2cJvFQUo5HOY_HEZ422ST0TiMHvzLvc27zTv1TpkOS4u3hvYJewCLNne1PSEIsarn7BT9g8A3/s1600-h/bridges.JPG"><img style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 220px; height: 328px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpWEYScWvR_FPTweLHi3UYWnlhKAkfoSCQm5JiavpDMEn2cpqijC1qhQlYaca5S8iccWP2cJvFQUo5HOY_HEZ422ST0TiMHvzLvc27zTv1TpkOS4u3hvYJewCLNne1PSEIsarn7BT9g8A3/s320/bridges.JPG" alt="" id="BLOGGER_PHOTO_ID_5449439405868162578" border="0" /></a></p><p class="MsoNormal"><span lang="ZH-TW" style="font-family:PMingLiU;"><br /></span></p><p class="MsoNormal"><span lang="ZH-TW" style="font-family:PMingLiU;">平行永利街的必列者士街,如今人車疏落,往昔卻是連貫中環至太平山區的幹線。街上地標必數</span>1918<span lang="ZH-TW" style="font-family:PMingLiU;">年落成的中華基督教青年會會所,大樓外貌古雅內則功能齊全,備有泳池、跑道、禮堂等文娛設施,乃係戰前</span><span lang="ZH-TW" style="font-family:PMingLiU;">舉行大型活動之上乘</span><span lang="ZH-TW" style="font-family:PMingLiU;">場地。最廣為人知者,當為</span>1927<span lang="ZH-TW" style="font-family:PMingLiU;">年</span>2<span lang="ZH-TW" style="font-family:PMingLiU;">月魯迅先生先後演講《無聲的中國》及《老調子已經唱完》;及後先生於</span>1936<span lang="ZH-TW" style="font-family:PMingLiU;">年病逝,本港文化界復於此間舉行大型追悼會以資紀念。如今走在街上,似乎依稀還聽到濃烈的紹興口音在朗讀「凡有老舊的調子,一到</span><span lang="ZH-TW" style="font-family:PMingLiU;">有一個時候,是都應該唱完的」,讓人頓悟歷史的不斷輪迴。就在沈澱濃厚歷史的街角,《大隻佬》</span>(<span lang="ZH-TW" style="font-family:PMingLiU;">劉德華</span>)<span lang="ZH-TW" style="font-family:PMingLiU;">在昏黃街燈之下,舞弄風中紙巾,彈指間讓女警李鳳儀</span>(<span lang="ZH-TW" style="font-family:PMingLiU;">張栢芝</span>)<span lang="ZH-TW" style="font-family:PMingLiU;">領悟了另一場因果業緣的輪迴。同一條街,同一建築,現實中的文學巨匠,光影裡的智慧禪師,文字與鏡頭互為作動,為太平山區增添幾重可堪咀嚼的文本。</span></p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPTNiH-3DXbwLG8o4RAxnIayv1uLwuJK_agN2AjIV6Oz8gfupzskRa08yLPi9EEq8nLV17Wh5MQCAVx2kHM8tCVuRl_p5Hafqt0MacW2vu5vIo9l_oEDGV2QkJmx9bz5YF9sks53nNr-0P/s1600-h/92_94_Hollywood.JPG"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 209px; height: 279px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPTNiH-3DXbwLG8o4RAxnIayv1uLwuJK_agN2AjIV6Oz8gfupzskRa08yLPi9EEq8nLV17Wh5MQCAVx2kHM8tCVuRl_p5Hafqt0MacW2vu5vIo9l_oEDGV2QkJmx9bz5YF9sks53nNr-0P/s320/92_94_Hollywood.JPG" alt="" id="BLOGGER_PHOTO_ID_5449441622865807586" border="0" /></a><span lang="ZH-TW" style="font-family:PMingLiU;">太平山區可謂</span><span lang="ZH-TW" style="font-family:PMingLiU;">無處不是歷史,隨處都是鏡頭。青年會對面的公理堂,又見《君子好逑》的阿輝</span>(<span lang="ZH-TW" style="font-family:PMingLiU;">譚詠麟</span>)<span lang="ZH-TW" style="font-family:PMingLiU;">力追窈窕淑女</span>Jo Jo(<span lang="ZH-TW" style="font-family:PMingLiU;">林青霞</span>)<span lang="ZH-TW" style="font-family:PMingLiU;">,來到門前把佳人一抱入懷,配樂即時響起《愛的根源》。公理堂似乎總是根源所在,多年前就是革命思想的根源。公理堂舊址位於必列者士街</span>2<span lang="ZH-TW" style="font-family:PMingLiU;">號,即今街市所在。</span>1883<span lang="ZH-TW" style="font-family:PMingLiU;">年孫中山先生移遷</span><span lang="ZH-TW" style="font-family:PMingLiU;">香港,入讀東邊街之拔萃男書室</span>(<span lang="ZH-TW" style="font-family:PMingLiU;">亦即《歲》片導演羅啟銳的母校前身</span>)<span lang="ZH-TW" style="font-family:PMingLiU;">。旋踵先生於公理堂受洗基督教,並寄宿於教堂三樓。一年後國父轉業於中央書院,該校座落歌賦街</span>44<span lang="ZH-TW" style="font-family:PMingLiU;">街</span>(<span lang="ZH-TW" style="font-family:PMingLiU;">今基恩小學</span>)<span lang="ZH-TW" style="font-family:PMingLiU;">。從教堂對面的城隍街拾級而下,不消三分鐘即達書院。歌賦街拐個右彎,沿鴨巴甸街走到荷李活道交界處,又是先生習醫之地</span><span lang="ZH-TW"> </span><span lang="ZH-TW" style="font-family:PMingLiU;">—</span><span lang="ZH-TW"> </span><span lang="ZH-TW" style="font-family:PMingLiU;">香港西醫書院故址。從必列者士街出發,方圓數百米盡是那年頭的文化、教育、宗教要地,也是國父啟蒙基督倫理、西方科學、以至民主法治的源頭。儘管《十月圍城》劇情多為杜撰,縱橫這幾條街道,未必會親歷「維多利港最驚險的一天」,然而總可體會「自由、平等、博愛」的思想如何在潮濕的空氣裡萌芽。途經鴨巴甸街與結志街交界,更會目睹楊衢雲</span>(<span lang="ZH-TW" style="font-family:PMingLiU;">張學友飾</span>)<span lang="ZH-TW" style="font-family:PMingLiU;">在</span>1901<span lang="ZH-TW" style="font-family:PMingLiU;">年遭人暗殺,又或來到荷李活道</span>92-94<span lang="ZH-TW" style="font-family:PMingLiU;">號《中國日報》</span><span lang="ZH-TW" style="font-family:PMingLiU;">昔日所在,陳少白</span>(<span lang="ZH-TW" style="font-family:PMingLiU;">梁家輝飾</span>)<span lang="ZH-TW" style="font-family:PMingLiU;">奔走印刷機之間的光景,彷彿也活現眼前。</span></p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF-zvk90aQByoLIxpTFuirevbECO_qOS0F4xovu_8l2z5EYWqhk86OcXRduBsgpaYVJ38UI47FWC4Z8Co7Qk4kmJC_4mLviKAJz_FD3S5fmPdv3roaKUat5hbVOE7MtquCR3UdrCzCPcra/s1600-h/winglee_ladder.JPG"><img style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 200px; height: 266px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF-zvk90aQByoLIxpTFuirevbECO_qOS0F4xovu_8l2z5EYWqhk86OcXRduBsgpaYVJ38UI47FWC4Z8Co7Qk4kmJC_4mLviKAJz_FD3S5fmPdv3roaKUat5hbVOE7MtquCR3UdrCzCPcra/s320/winglee_ladder.JPG" alt="" id="BLOGGER_PHOTO_ID_5449443216721477282" border="0" /></a><span lang="ZH-TW" style="font-family:PMingLiU;">偉人事蹟偶像身影說得太遠,也該回到永利街去。永利街僅存的一排唐樓前,躺著一條耐人尋味的樓梯,只能通到街市的後面,卻又不能走進街市。翻查昔日報章,始知戰後的永利街的山邊還佈滿木屋,該處並無食水供應,居民惟有每日上落六十八級樓級,往街市後邊水喉取水,一幕幕猶如《七十二家房客》的畫面,直至</span>1970<span lang="ZH-TW" style="font-family:PMingLiU;">年永利街口新設水喉方才告終。更叫人詫異之處,卻是中環首善之區,不過三十年前依然住滿貧民,使人慨嘆香港地財富來去匆匆,一座城市轉眼間便由混沌貧困變成暴發跋扈再變成裹足不前,外邊景物換了幾許,惟有巷中桃花依舊。</span></p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><span lang="ZH-TW" style="font-family:PMingLiU;">從舊報章中梳爬永利街事跡,</span><span lang="ZH-TW" style="font-family:PMingLiU;">鮮見大事發生。偶有見報者,俱是搶劫、聚賭、爆竊等「小兒科」。位處中環上環之間「環頭環尾」,不遠就是中央警署暨域多利監獄,這一帶還算是治安靖平。其實從前香江生活艱難,當街「老笠」乃係司空見慣,財不可以露眼的民間智慧更是從小學懂。如今《歲月神偷》「落戶」永利街,戲中小弟羅進二</span>(<span lang="ZH-TW" style="font-family:PMingLiU;">鍾紹圖</span>)<span lang="ZH-TW" style="font-family:PMingLiU;">把米字旗偷走,也可算是「恰如其分」。說來湊巧,附近取景的幾部電影,也總愛穿插一些盜竊場面。永利街向西走到盡頭,連接老沙路街,旁邊儒林臺幾級石階,橫亙一幅舊時石牆,就是《新難兄難弟》的楚原</span>(<span lang="ZH-TW" style="font-family:PMingLiU;">梁朝偉</span>)<span lang="ZH-TW" style="font-family:PMingLiU;">月夜倒回六十年代的「春風街」街頭。儘管此戲多在片場拍攝,</span><span lang="ZH-TW" style="font-family:PMingLiU;">當中老父楚帆</span>(<span lang="ZH-TW" style="font-family:PMingLiU;">梁家輝</span>)<span lang="ZH-TW" style="font-family:PMingLiU;">義釋小偷墨七</span>(<span lang="ZH-TW" style="font-family:PMingLiU;">張之亮</span>)<span lang="ZH-TW" style="font-family:PMingLiU;">之橋段,放回永利街附近的環境脈絡,竟又異常配合,一幕昔日「江湖救急」的故事也變得順理成章。垂直老沙路街和永利街的樓梯街,又是另一電影取景熱點。來到九十年代,《都市情緣》的梁志武</span>(<span lang="ZH-TW" style="font-family:PMingLiU;">黎明</span>)<span lang="ZH-TW" style="font-family:PMingLiU;">和</span> Jo Jo(<span lang="ZH-TW" style="font-family:PMingLiU;">吳倩蓮</span>)<span lang="ZH-TW" style="font-family:PMingLiU;">,便為了一宗街頭搶劫的誤會,差點錯失一段霧水情緣。沿著樓梯街的梯級往下走,又見到成功擺脫《跟蹤》的悍匪陳重山</span>(<span lang="ZH-TW" style="font-family:PMingLiU;">梁家輝</span>)<span lang="ZH-TW" style="font-family:PMingLiU;">,來到摩羅上街旁的古玩店交易劫來的贓物。</span><br /></p><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1nECNJxSqHzf4ZDsoKj0Mua3WxPwVtdn7x4cW9UuYufyN4YEuNz4Ey9s3k8o3i1KJWebiQ-NQBOCp5Y3ziAcrBuej9DGXUjLZJiFM2b_cuOMje8Ig9XOOBQ9sOTFs34v49sp7X0keFFqh/s1600-h/2_wa_in_poster1.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 294px; height: 228px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1nECNJxSqHzf4ZDsoKj0Mua3WxPwVtdn7x4cW9UuYufyN4YEuNz4Ey9s3k8o3i1KJWebiQ-NQBOCp5Y3ziAcrBuej9DGXUjLZJiFM2b_cuOMje8Ig9XOOBQ9sOTFs34v49sp7X0keFFqh/s320/2_wa_in_poster1.jpg" alt="" id="BLOGGER_PHOTO_ID_5449444403510421474" border="0" /></a><span lang="ZH-TW" style="font-family:PMingLiU;">永利街對面的華賢坊堪可一遊,街內雖無電影取景,卻見等待清拆的完整社區。典雅的樓房,別緻的圍欄,井然有序的門廊空間,隱然提示從前的住客當是薄有家財之輩。翻查戰前報章,果然有所發現。</span>1905<span lang="ZH-TW" style="font-family:PMingLiU;">年《華字日報》一則華賢坊內刧案的新聞,當中的住客便包括煤氣公司書記及收銀員各一,以當年標準視之可視為優差兩份。</span>1928<span lang="ZH-TW" style="font-family:PMingLiU;">年《工商日報》報導另一則坊內發生刧案,更可見早年省港關係之親密。話說華賢坊</span>10<span lang="ZH-TW" style="font-family:PMingLiU;">號</span>3<span lang="ZH-TW" style="font-family:PMingLiU;">樓之戶主王耀棠,乃係馳名省港之王老吉涼茶店東主,家中住有妻妾各一</span><span lang="ZH-TW"> </span><span lang="ZH-TW" style="font-family:PMingLiU;">(那就是《胭脂扣》富人妻妾成群的年代,順帶一提片中如花</span>(<span lang="ZH-TW" style="font-family:PMingLiU;">梅艷芳</span>)<span lang="ZH-TW" style="font-family:PMingLiU;">深宵到報館刊登尋人廣告一幕,也在不遠處的荷李活道拍攝)。某日一名刧匪訛稱包裹自廣州寄來,王妾應門即被剪刀威嚇,戶主與之糾纏,其時鄰居相繼鳴笛示警,疑人隨即被一名潔淨局</span>(<span lang="ZH-TW" style="font-family:PMingLiU;">即市政局前身</span>)<span lang="ZH-TW" style="font-family:PMingLiU;">清道伕管工制服送警查辦。一單毫不起眼的戰前家族糾紛,倒是凸顯從前上流與市井近在咫尺,彼此不但相安無事,更會守望相助同心抗賊,不似如今階級矛盾日深。華賢坊內,一幢幢空房門前貼上的標語,留下小業主深深不忿的控訴,控訴著市區重建的種種不公。</span> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><span lang="ZH-TW" style="font-family:PMingLiU;">截稿之時閱報得知永利街重建勢將如期上馬,無須為一齣得獎電影而擱置云云。其實大家所珍惜的,又豈止是一條街、一齣戲。遊連山城街道,為的也不只是緬懷昔日老城華洋雜處的時光,為的更是見證和思索一個國家、一個民族如何從跌宕中走向共和,擁抱現代。</span></p><p class="MsoNormal">註:本文經刪節後以「<a href="http://www.time-weekly.com/2010/0311/wNMDAwMDAwNjEwNQ.html">《歲月神偷》 偷不走的老城歲月</a>」為題於內地《時代周報》2010年第69期刊出。此處為未經刪減的原版。<br /></p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><o:p> </o:p></p> <p class="MsoNormal"><o:p> </o:p></p>奇夫http://www.blogger.com/profile/13850994416151953659noreply@blogger.com1tag:blogger.com,1999:blog-7802990874396271961.post-57945879774928494452009-10-17T18:00:00.000-07:002009-10-19T07:30:38.465-07:00阿飛正傳:蘇麗珍的一分鐘本來<a href="http://www.jointpublishing.com/books/bookdetail.asp?isbn=9789620428692">《電影現場之旅﹣港島篇》</a>出版以後,沒有開blog的打算,覺得想寫的已差不多全寫進書本裡去,也就可以了。<br /><br />不過10月16日那天的導賞團的反應頗為不俗,發現大家對港產片拍攝場景真的有著濃厚的興趣, 而且還有不少景點在書本裡或因篇幅關係、或因電影場口過於瑣碎、或是成書以後方才能夠確認而沒有寫進裡頭。那麼就利用這個blog作點補充,也順道和讀者交流。<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhb259_pkbuXo-AWFsgEd_zr6lRo5omm_BDE6ubpMYxjFkd5xMPIxb5Z9iFEbP3uNg0qMicMoa-7QcDJqdBSWJ3Igv0GQWubCPzODiC8_GduQPTL8dJWFMiiT4QakkrdVIpCY1R8_lweE-Y/s1600-h/clock1.jpg"><img style="cursor: pointer; width: 320px; height: 214px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhb259_pkbuXo-AWFsgEd_zr6lRo5omm_BDE6ubpMYxjFkd5xMPIxb5Z9iFEbP3uNg0qMicMoa-7QcDJqdBSWJ3Igv0GQWubCPzODiC8_GduQPTL8dJWFMiiT4QakkrdVIpCY1R8_lweE-Y/s320/clock1.jpg" alt="" id="BLOGGER_PHOTO_ID_5393791869949939938" border="0" /></a><br /><br />那天導賞團的其中一個頗具吸引力的景點,就是位於中環銀行街<span style="font-weight: bold; color: rgb(0, 0, 0);">舊中銀大廈停車場</span><span style="font-weight: bold;">入口</span>(見上圖)的那面大鐘,也就是《阿飛正傳》裡頭警員(劉德華飾)深夜巡邏簽簿的地方。由於時鐘在《阿飛正傳》一片中多次出現,乃係經常出現的母題(motif)之一,戲中亦曾經出現數面時鐘,加上電影面世至今已近二十年,當天有些朋友便混淆了<span style="font-weight: bold;">舊中銀</span>這場戲和<span style="font-weight: bold;">南華會</span>那幾幕戲。所以還未開始講那些零碎景點之前,今天先來談談這地方在電影出現的情況與及發現這場景的經過。<br /><br /><span style="font-weight: bold;font-size:130%;" >舊中國銀行大廈:警員阿潮與蘇麗珍(劉德華與張曼玉)</span><span style="font-weight: bold;font-size:130%;" >的一分鐘</span><br />那是《<span style="font-weight: bold;">阿飛正傳》來到中段</span>叫人印象難忘的段落,警員阿潮(劉德華)知道蘇麗珍(張曼玉飾)被人拋棄以後感到十分傷心,於是二人經常在衛城道那邊談心。有一晚警員夜巡的時候蘇麗珍一併同行,警員來到簽簿的地方(即舊中銀大廈,香港2000年DVD版本的40'37"至40'52"首次出現),蘇麗珍則站在門外等待。警員簽簿完畢,便苦心勸解蘇麗珍不要再緬懷和旭仔的一段情, 跟她說:「你就由呢一分鐘開始當無識個呢個人」。這時剛好大鐘走到<a href="http://homepage.mac.com/hoksze/blogwavestudio/LH20050909195110/LHA20050401090141/index.html">十二點鐘</a>(DVD42'00"),大鐘砰然而響,蘇麗珍激動地回答:「唔好再提呢一分鐘」,以後大閘徐徐關上。<br /><br /><span style="font-weight: bold;font-size:130%;" >南華會:旭仔與蘇麗珍(張國榮與張曼玉)的一分鐘</span><br />至於<span style="font-weight: bold;">《阿飛正傳》中開頭</span>的經典場口,旭仔(張國榮飾)與蘇麗珍在<a href="http://blogimg.goo.ne.jp/user_image/26/48/60cc2d1f0936afb58d328022c7e886ed.jpg">南華會小食部</a>邂逅的一刻(香港2000年DVD版本的0'40"),那兒<a href="http://img2.mtime.com/mg/2009/24/b70d0740-99ef-4725-83db-58e3d2f989e1.jpg">牆上掛的是也一面時鐘</a>, 不過size較小,之後在4'14"再次出現。而片中最為人所熟知的一場戲,旭仔口中「1960年4月16號下午3點前的一分鐘」,這面鐘再次在5'31"至5'35"出現,旭仔和蘇麗珍由此開始成為「一分鐘的朋友」。<br /><br /><span style="font-weight: bold;font-size:130%;" >兩面時鐘 兩個「一分鐘」兩種截然不同的心情</span><br /><br /><object height="364" width="445"><param name="movie" value="http://www.youtube.com/v/VcrSYdWVNQc&hl=en&fs=1&border=1"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/VcrSYdWVNQc&hl=en&fs=1&border=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="364" width="445"></embed></object><br />所以<span style="color: rgb(0, 0, 0); font-weight: bold;">舊中銀大廈</span>的大鐘(以上trailer的2'56")不同<span style="color: rgb(0, 0, 0);">於<span style="font-weight: bold;">南華會</span></span>那面掛鐘(以上trailer的1'41"),此一分鐘也不同彼一分鐘,這一點每位熱愛《阿飛正傳》的觀眾相信都十分清楚,小弟亦不例外。所以《電影現場之旅》書中第30頁也寫到影迷要是來到這裡「相信大家都沒忘記《阿飛正傳》<span style="font-weight: bold;">這一分鐘</span>,正如也不可能忘記南華會小賣部的<span style="font-weight: bold;">那一分鐘</span>」。<span style="font-weight: bold;">中銀大廈</span>這邊是警員與蘇麗珍(劉德華與張曼玉)爭論的地方,而<span style="font-weight: bold;">南華會</span>那邊是旭仔與蘇麗珍(張國榮與張曼玉)相識的地方。王家衛用上了兩面不同的鐘,加強了鐘響的聲效,與及蘇麗珍面對兩位男角口中的「一分鐘」的反應,前後呼應的對白,造成了震撼人心的效果。也因為<span style="font-weight: bold;">劉德華</span>和<span style="font-weight: bold;">張曼玉</span>這場戲,讓舊中銀大廈成為南華會、皇后餐廳、衛城道以外,又一處凝聚一眾影迷回憶的地方。<br /><br />舊中銀這面鐘彌足珍貴的地方,是因在電影裡頭的分鏡、音樂等效果的影響下(特別是影片尾段1小時29分25秒﹣28秒的幾格鏡頭),容易讓人產生它是<a href="http://tmc-barelyreal.blogspot.com/2009/09/blog-post_26.html">位處南華會的錯覺</a>。然而南華會的球場早已拆卸,於是便以為警員簽簿頭上的大鐘,也跟旭仔初遇蘇麗珍時背後的掛鐘一樣,已經不復存在。正因如此,偶然在中環鬧市尋回這一面鐘,那種失而復得的感覺更是難得。<br /><br /><span style="font-weight: bold;font-size:130%;" >2006年:中環再遇阿潮與蘇麗珍</span><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_3VCMTEshPyQ/Stp8rOpY73I/AAAAAAAAAAM/FvSKz5r71rM/s1600-h/bank_street"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 161px; height: 241px;" src="http://1.bp.blogspot.com/_3VCMTEshPyQ/Stp8rOpY73I/AAAAAAAAAAM/FvSKz5r71rM/s320/bank_street" alt="" id="BLOGGER_PHOTO_ID_5393760585837506418" border="0" /></a>說回發現這鐘的經過,2006年1月某天的下午,那天到中環拍攝場景,主要目標是皇后像廣場一帶,立法會、匯豐銀行等。來到匯豐銀行之後,便到旁邊的銀行街,首先是拍舊中銀大廈, 因為那是中國會的所在地,《金枝玉葉2》的主要場景。再來就是匯豐銀行側(見左圖),《孤男寡女》裡頭,華少(劉德華)捧著一大堆印上網絡新貴Roger(黃浩然)作封面的Time Magazine通通丟到垃圾箱裡,免得Kinki(鄭秀文)發現自己原來搭上了一位超級才俊。<br /><br /><br /><br /><br /><br /><br />拍完這景以後,便向皇后大道中那邊走去,豈料那就不得了,舊中銀大廈停車場入口那面大鐘赫然就在眼前,那可是每位鐘情《阿飛正傳》的影迷都會頓時為之著迷的地方,那面鐘,那牆,那柱,鐵閘地磚,通通都彷如菲林定格一樣,就只差了警員和蘇麗珍,整個人就像走入《阿飛正傳》的世界裡頭。雖然那是大白天,不是深夜十二時,但是那時也剛好是下午3時05分左右(見下圖),勉強也算是在下午3時,和《阿飛正傳》的場景開始做了一分鐘的朋友。接下來所做,就如書中所述,回家把影片定格,以確認這地方是否就是警員和蘇麗珍爆發激盪情緒的地方。<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_3VCMTEshPyQ/Stp87DsGt5I/AAAAAAAAAAU/sy4l42PErXw/s1600-h/clock.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 320px; height: 214px;" src="http://3.bp.blogspot.com/_3VCMTEshPyQ/Stp87DsGt5I/AAAAAAAAAAU/sy4l42PErXw/s320/clock.jpg" alt="" id="BLOGGER_PHOTO_ID_5393760857774012306" border="0" /></a>這一次的發現,事前完全沒有準備,一切都突如其來,正因如此,那份感覺更加恆久常新。這也是電影現場之旅奇妙的地方,電影場景就像是一些座標,一些lamp post,讓我們可以進行一場「都市定向」,提供了另一種閱讀城市的體驗,對照電影與現實的類同與反差,重新去認識這早已認識的城市。<br /><br />奇夫<br /><br /><br /><br /><br />延伸閱讀:<br />1. David Bordwell's website on cinema - Observations on film:<a href="http://www.davidbordwell.net/blog/?p=2453" rel="bookmark" title="Permanent Link to Years of being obscure"><span style="font-weight: bold;"> </span>Years of being obscure</a>.<br />2. Reverse Shot: <a href="http://www.reverseshot.com/article/days_of_being_wild">Days of Being Wild</a>.<br /><span style="color: rgb(51, 51, 255);"></span>奇夫http://www.blogger.com/profile/13850994416151953659noreply@blogger.com0